Wheel of Fortune and Fantasy

Wheel of Fortune and Fantasy
Description

An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.

Credits: TheMovieDb.

Image

31 comments on “Wheel of Fortune and Fantasy

  1. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  2. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  3. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  4. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  5. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  6. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  7. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  8. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  9. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  10. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  11. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  12. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  13. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  14. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  15. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  16. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  17. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  18. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  19. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  20. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  21. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  22. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  23. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  24. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  25. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  26. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  27. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  28. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  29. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  30. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply
  31. badelf on

    Hamaguchi, as always, demonstrates here exactly why he is the current living cinema-master of exactly what it means to be “human”. With these three shorts, he once again captures the essence of who “we” are, and with the very same brush strokes, also the zen of “there is no judgement, only consequence”. I’m leaning toward the belief that Hamaguchi is the modern son of the wabi-sabi movement.

    Reply

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