After We Fell

After We Fell
Description

Just as Tessa’s life begins to become unglued, nothing is what she thought it would be. Not her friends nor her family. The only person that she should be able to rely on is Hardin, who is furious when he discovers the massive secret that she’s been keeping. Before Tessa makes the biggest decision of her life, everything changes because of revelations about her family.

Credits: TheMovieDb.

Image

40 comments on “After We Fell

  1. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  2. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  3. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  4. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  5. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  6. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  7. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  8. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  9. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  10. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  11. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  12. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  13. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  14. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  15. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  16. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  17. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  18. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  19. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  20. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  21. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  22. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  23. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  24. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  25. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  26. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  27. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  28. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  29. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  30. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  31. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  32. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  33. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  34. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  35. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  36. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  37. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  38. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  39. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply
  40. CinemaSerf on

    I seem to recall seeing the previous episode of this trilogy in the cinema – a beneficiary of the lockdown dearth that propelled some serious dross onto the big screen. This, mercifully, never found a home there and so could be watched, half-heartedly, from the comfort of my own living room. The rather uninspiring, self-indulgent characterisations of “Tess” (Josephine Langford) and “Hardin” (Hero Fiennes Tiffin) continue to vacillate from loving to loathing each other for reasons that continued to escape me after the first two films. The narrative reminded me of a visualisation of letters one might have written to a lonely hearts column – each problem being acted out on screen by the pair, before the scenario resets (for good or ill) and off we go again. To be fair, they are both quite easy on the eye, but their frequent, creatively photographed, sex scenes accompanied by some mediocre AOR soundtrack quickly start to wear thin. Perhaps I am just too old for this, but I just found their on/off relationship, their secret keeping about things that couldn’t matter a jot to anyone, let alone to those who purport to “love” one and other, really boring. The truly stilted dialogue and delivery (especially from HFT, complete with a his unique set of “letraset” tattoos) ) contrive to make this a real dirge of a watch. Watch out, there’s another one coming too….

    Reply

Leave a Reply

Your email address will not be published. Required fields are marked *